Wigs are one of the best tools a makeup artist can work with because
the hair does so much to a persons looks. Even if this is the case the art of wig making is sadly enough dying out. This is because of stricter budgets in today's theatres and a lack of experienced wigmakers in the few schools. Today we are about 20 active wigmakers in Gothenburg and unfortunately the theatres don't have the money to take on pupils. I can only hope something radical will happen so that the art can live on and advance. |
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These measurements are necessary for
transferring the actors head to a wooden block and then for sewing a
foundation. |
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The foundation is sewn with cotton ribbon, cotton lace
and nylon lace. When you have finished sewing it is time to once again
meet the actor and do a fitting of the hairline. This is done to make
certain that it will fit and give a lifelike impression. After this you
have to ventilate (Wigmakers term for tying a knot) in all the hair. Hair
by hair! Most theatre and film wigs are made of human hair from mostly European but also Asian bleached hair. The choice of hair quality is based on the hair style of the finished wig. Asian hair is stronger and will last longer. However, for film European hair looks more natural as it moves better. |
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![]() Directions in a moustache |
As a makeup artist,
moustaches and beards are an important part of male fashion history. Often
you can tell from what time period a man is just by looking at his beard.
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With the kind permission of Göteborgs Perukmakeri I have
published a step by step guide on how to make wigs. |
Some pictures (c) Bengt Hjord with permission.